it makes me think
of a conversation i had with my writing friend a few years ago, where we
compared writing the next draft to moving into a house. you have all the stuff
from the first draft, everything you had in the old house. now you start the
second draft. you put it all in the moving van and get it to the next house.
you get rid of some of what you have because you don’t really need it.
then you have to
take what’s left and decide where to put it all. furniture has to be arranged
in new rooms and augmented with new pieces. pictures have to be hung in new
places. maybe you buy new pictures because you don’t have exactly what you need
to create the mood you’re looking for. you place the knick knacks and what-nots where you think they’ll work. you rearrange when something doesn’t look quite right. it takes time, and it’s a lot of work, but you finally get things just where you want them and it feels like your home now.
we’ve done some of
that already. when we put up a few pictures (so the walls wouldn’t be
completely bare for our house warming party), the first arrangement that went
up was this one:
it’s my very
favorite arrangement. my mom painted the picture for the cover of Eldala, and i bought some pieces from
Joann’s that i thought were appropriate. they look like something my blacksmith
hero would make.
part of me hopes
that seeing Kieran will inspire me as we work on the sequel. seeing him every
day now (and running out of new things to read) prompted me to read through Eldala.
it’s better than i remember. in the past, knowing other people were reading
certain parts made me cringe. what would they think of it? would they like it?
how did they react when they read this?
reading it this
time, some new things have made me cringe. the most obvious was a scene with a goofy
time mistake. in it, my two main characters, Jessa and Kieran, are now at
Kieran’s aunt’s house. Jessa is feeling useless, so she asks Kieran’s aunt if
she needs help with dinner.
Melchiah laughed softly. “It’s going to be difficult
for you to stop being a servant, isn’t it?” Melchiah handed her a knife and
some potatoes. “If it will make you feel better, you can help me with these.”
Jessa gratefully took them and started the
mind-numbing chore of peeling and cutting. When she finished with the potatoes,
she started on a pile of carrots. Someone put a hand on her arm.
It was Stefan. (Jessa’s cousin) “Jessara, what are
you doing?”
“Helping our hostess.”
Stefan took the knife. “This work is beneath you.”
“I’ve been a slave for ten years. How is this
beneath me?”
He pulled her aside and his face was grave.
“Jessara, you are the queen of all the Baraca. You should not be working in a
kitchen.”
Melchiah’s brows flew up in a question.
“Excuse me, Melchiah,” Jessa said.
She pulled Stefan outside and into the barn. “Do you
mean to tell me our clan hasn’t found another to replace me?”
(then she and Stefan have a heated discussion about
why she doesn’t want to be a queen for their people.)
“Whatever you choose, Jessara, know this: We were
betrothed before you were ever chosen. If you had not been stolen, I would be
your Eldala and we would be married by now.”
Jessa’s anxiety was threatening to explode.
“I don’t belong there,” she said.
His face darkened. “Of course you belong there. And
after I take you home, you will marry me.”
She stamped her foot and went back into the house.
Of all the arrogant, pig-headed…
She burst into the room, expecting to help Melchiah.
Instead, everyone sat around a large wooden table. When they heard her come in,
all the men stood and Kieran pulled out the chair next to Sienna. Jessa frowned
and sat, confused as to why he would do that for her. No one had ever waited on
her before. In fact, she didn’t think she’d ever sat at a table as a guest.
now, how did i, and the other people who edited this
for me, not catch this mistake? first she’s helping with dinner, and then it’s
ready to eat a few minutes later? i asked my husband this, and he said,
"she must have had a microwave." i just laughed. the first microwave,
and in a medieval world. (ok, so it’s a medieval fantasy world.) the mistake
still makes me cringe. i also cringe at all the telling i used instead of showing, the points of view i could have eliminated, and some of the flowery descriptions. plus, i have Kieran "looking around" a lot. sigh. i suppose we’re the hardest critics of our stories. in the end, i have to get over the mistakes or they’ll drive me crazy.
i hope that when you make mistakes that no one catches, and you read them later, when the story’s in print form, and people have read it, and there’s no going back, you’ll do your best to get over them too. and that you won’t let them keep you from writing.
we all make mistakes. some of our mistakes make it into our books. in the end, they don’t really matter. we’ve written a novel. we’ve completed a project of epic proportions, one that most people only talk about doing, and then never do. we were courageous and poured our hearts out on paper. we persevered. that’s something to be incredibly proud of.
now, as an indulgent aside, i wanted to share this
scene. when i come across stuff like this, the mistakes melt away. i love a
good romance scene. in this one, Jessa is in the smithy, watching Kieran work.
People said that smiths had mystical powers because
they could forge the unyielding iron into any form. Bairn had dismissed those
stories. He explained that a smith’s best tool was his mind, and that it was
intelligence, not enchantment, that gave a smith his power.
Kieran might not have been using enchantment to work
the iron, but Jessa wondered if he had some kind of mystical power over her.
Otherwise she knew she would have been able to stop her eyes from traveling up
his forearms, over his biceps, across his shoulders…
No. She shouldn’t be looking at him at all. He was
the king and she wasn’t going to marry him.
She turned around and forced herself to think of
anything but him—how to decorate for the banquet, what her mother was like,
what had happened to her father. It was pointless; no matter how hard she tried
to ignore Kieran, her mind kept wandering back to him. And so did her eyes.
Contentment filled his face as he concentrated on
the task in front of him. He was humming under his breath—the song she’d taught
him when they were children. An unexpected warmth wrapped around her heart at
the thought of Kieran remembering their song. Did that mean he cared for her?
She shook the thought away and let her eyes resume
their journey over Kieran’s arms. The satisfying memory of having those arms
around her slipped in and surprised her. He could have taken advantage of her
in the dungeon. Instead he’d been tender and protective—and she’d never felt
safer or more cherished than she had in his arms. What would it be like to have
Kieran’s arms around her every night?
Kieran looked up. Jessa froze, embarrassed that he’d
caught her staring at him. He smiled, as if he’d enjoyed it. If she were
honest, she would have to admit that she’d enjoyed it, too.
7 comments:
Must've had a microwave - funny!
That is an excellent analogy, Michelle. And it can take a while to find a perfect fit for all that furniture.
Glad you posted that picture. When I first saw it, I thought it was awesome.
I love the picture. The whole arrangement looks nice especially against the warm color on the wall.
I still have my manuscript "in boxes" and need to get back to it so I can rearrange the furniture and see what fits with the *new place*.
I do like your point, "when the story’s in print form, and people have read it, and there’s no going back." True and having a good beta reader and final editor sure helps.
Love, love, LOVE the wall arrangement! Love the excerpts, too. As for the microwave scene - I've made similar mistakes. Conversations that should have taken a few minutes somehow take an hour or so. I wonder if it's because that's how long it took for us to write the scene, so we think the potatoes and carrots should be done by now? :)
Glad the house is coming together. Love all the pictures.
Medieval microwave. That is funny. And possibly, just what my story's been missing...
And you make an excellent point about mistakes. Every time I make an editing pass through my manuscript, I find entirely too many and then I spend entirely too long being mad about it.
Love the sword on the wall.
I know what you mean. I have a scene that runs a smidge too long--long enough that the two characters off on their own would have been noticed and hunted down. I just have to hope the reader enjoys the dialogue so much they don't feel the proportion is off. :-)
Love, love, LOVE the wall display. Absolutely gorgeous. Amazing.
I didn't catch the time error when I read (and reread) Eldala. I was so engaged in the story that I didn't even notice it.
I think that says something about how good the writing really is :~)
Thanks for this, it's a great post.
xoxo
bru
I love the Eldala arrangement on your wall. The sword is great - my Hubby has a couple around our house (and a lightsabre). I keep meaning to put up my own cover, somewhere really obvious :-)
Post a Comment